Lust & Pride
The Mousetrap is a metaphor for the trap in which we are all ensnared. What we want and what we are allowed is the deceptive conjunction of our dream and the death that follows when we are closest to it. It is the tragedy, and the beauty, of mortal life.
17:44"To be a poet is to live for a living" — Original
18:18
SM, Sleep

Something heavier than smoke

Slaps shockwaves through

Submerged slumber;

No longer am I weightless



Banal trespassers, insidiously seep

Into my phantom future’s furore

While nostalgia takes me

Where I haven’t been, where I see



Rogue snow in the sun

Vain, vogue, nowhere to run

Anomaly, you are no exception

To the rules of death and taxes.



So wish well on the unknown, invented,

And try not to wish that you were here

For the wishing only worsens

That which we may never be;



Sweet dreams

12:51
12:49
Not-Haiku

I look for a long time

At photographs of children

Probably long dead by now

18:56
Looking for You

I thought I saw you

In the motion blur of a passing car

While I walked slovenly by 

Making lazy rhymes 

About the persistence of dishonest memories.



I thought I saw you

On a train to the brighter future

That we always used to speak about

When we were white.



I thought I heard you

Once in every hundred voices

But soon I tired

Of holding high hopes for your return

For they were heavy

On my weakened heart



I thought I smelt you

In a cacophony of nostalgic perfumes

But I couldn’t pick out who

Dared to whisper the same false virtue.



I thought I saw you 

In dreams, and memories

But it wasn’t you, 



For I had imagined your hues

And you were a glorious portrait

Until I saw you in truth 



With teeth bared,

Glaring eyes and dark hair

Still a child, not all there



And how he followed,

Tempted and lovedrunk

Totally, blissfully unaware



That you’re a fairytale

Without an ending

15:57
-

How do you feel -

Hips, in abstract

Pear-shaped and tearjerking

As you stand far away?



Our present is rain

Weighing down our fine furs

When we fly from fear

In search of fictional futures



Furrow brows and choke

On words that we both know.



And I am sorry;

For you are no less a mother

In bearing my memories

Than Aphrodite was to Eros.



So were we made from the same

Restless sea-foam as Gods

I would not be surprised



For I am as free,

I feel as infinite

As you have made me.

17:50
Driving

We were somewhere between A and B when it occurred to me that we had arrived at an entirely original letter. Or perhaps, it was simply original to us. While we were flirting with the limits of lawful travel, I felt the peculiar sensation of this action becoming detached from its meaning. That is, every line and light of the road became synonymous with the same word being repeated over and over until the subject became auxiliary to the sound and feel of the letters on your tongue. I tasted this trip just like I taste my words. Words. Words. What do they mean?

   This effect was transferred almost seamlessly to travel. Smoking in the kind of silence that depends on immense fatigue and sparse music, we found the beauty of the journey while we had forgotten both where we had come from and where we were going. The car had become our home, and our destination had been reduced to roads that had been named and re-named with numbers. I think at that time it was the A17, which to me was indicative of the road between myself as I am now, at 17, and myself as I would like to be in the near future. Perhaps by the end of this drive I will come across a road named B18, but right now I’m not even sure if I want to be eighteen.

14:22
14:19
Escapism

Notebook of elusion

Deceives me with delusions

Of grandeur and grander pasteurs

22:53